Books in linguistics frequently contain drawings such as vowel charts, syntax trees, or kinship graphs. The graphics language TikZ enables authors to input the code for vector graphics directly into the LaTeX version of their books. Vector graphics are generally visually more appealing than raster graphics in formats such as *png or *jpg, and TikZ already ships with standard LaTeX distributions. Thus, no further software installation is required on the author’s side.
In this blog post, we will draw a vowel chart to exemplify TikZ. In the first step, we will assume that there is a draft of the vowel chart, either drawn on paper or in another program. At the end of this blog post, we show two predefined vowel chart commands from the langscibook class that aim to make vowel chart generation from scratch convenient to the author.
Our main format of distribution is pdf, but we also offer printed copies via print-on-demand service providers. In this post, I want to shed a bit of light on the factors which influence our choices in this domain.
Publishing does not come for free. There are a number of obvious costs, such as ink, paper or computer storage, and a couple of not-so-obvious costs, such as the time needed to set up a book for print-on-demand or the creation of user manuals and screencasts.
These costs have to be counterbalanced by revenue. Traditionally, publishers recoup their costs via the margin of their book sales. In an open access paradigm with a smaller print run, this is less straightforward.
We have created an interactive spreadsheet where you can assume the role of press editor and see how you can make the ends meet. You can download the spreadsheet or use the online version (you will have to copy the online version to be able to edit). In what follows, I will detail the different sources of revenues, roles, and expenditures. You can use the spreadsheet right away, but it might be worthwhile to read what the individual categories stand for.
This post discusses an advanced typesetting problem dealing with the interplay of margin notes with German and Arabic LaTeX packages.
We have published a critical edition of Georg von der Gabelentz’s Die Sprachwissenschaft. This book comprises the text of the first edition from 1891 and the second edition from 1901. Differences between the editions are marked with different colours in the running text. Substitutions are marked in the margin. So far so good. The following image gives an example.
Margin notes and coloured text in the critical edition of Gabelentz’s “Die Sprachwissenschaft”. Red text marks updates between first and second edition, blue text marks corrections by the editors of the present edition, here a wrong accent mark.
When it comes to writing, reviewing, and proofreading scientific publications and text books (for university students), I am convinced that a radical wisdom of the crowd paradigm does not apply, mostly because the crowds are too small and likely also too fragmented. However, the principles of open access definitely allow larger communities to contribute suggestions, ideas, and corrections to publications, simply because the hurdles and the fuss brought about by copyright restrictions are removed. In this post, I propose that there is much more potential to unleash for the writing and editing process by borrowing concepts and adopting technologies from open source software development.
This blog post deals with two parts in the Language Science Press workflow: open reviewing and proofreading. All Language Science Press publications are reviewed by at least two external reviewers to ensure highest quality. The reviews may be open, that … Continue reading →
To get an idea of the workflow of a manuscript in Language Science Press you can always read themanuals, but now you can also have a look at our brand new screencast. Other screencasts on single steps of the workflow will follow shortly.
2015 has been the first complete year for Language Science Press since the beginning of operations in early 2014. There is now enough data to run some analyses.
Works and series
Up and until 2015-12-31, 139 works have been proposed to
Language Science Press. the following figure gives a breakdown of the
distribution of these works and their states of completion.
Works with Language Science Press. The colour code is as follows: Black=expression of interest, light red=desk rejection; orange=waiting for submission; grey=under review red=rejected after review; light green=forthcoming; dark green=published.
Introduction The review process of edited volumes is more complex than the review process of articles or books. The contributions to edited volumes are heterogeneous with regard to the quality of research and writing. The scientific merit of each contribution … Continue reading →