{"id":202,"date":"2012-01-12T18:41:32","date_gmt":"2012-01-12T16:41:32","guid":{"rendered":"https:\/\/userblogs.fu-berlin.de\/sonia\/?p=202"},"modified":"2012-04-18T05:42:12","modified_gmt":"2012-04-18T03:42:12","slug":"contemporary-hogwash","status":"publish","type":"post","link":"https:\/\/userblogs.fu-berlin.de\/sonia\/2012\/01\/12\/contemporary-hogwash\/","title":{"rendered":"Contemporary hogwash"},"content":{"rendered":"<p>Oh dear,<\/p>\n<p>why must it be me?\u00a0 I am very <em>unfond <\/em>of contemporary art in general and Ai Weiwei in particular. Yet, my mind is set on writing that thesis paper on his <em>tea house<\/em> (2009). Now I am in the midst of finding out what that <em>transcultural <\/em>chitchat actually means. I look forward to the day when I can respond in a sonorous voice to people talking in their pig latin about theories they did not grab as a whole, applying this gibberish on very ugly media-performed-cyberesque-intertrans-postgender-postcolonial-postmodern art&#8230;<\/p>\n<p>Here I will collect several basic theoretical works on the structure behind contemporary art&#8230; (and how to deconstruct all the hot air around it!)<\/p>\n<ul>\n<li>Zoya Kocur, Simon Leung (eds.), 2004: <em>Theory in Contemporary Art Since 1985: From 1985 to the Present<\/em> (neue Ausgabe 2012)<\/li>\n<\/ul>\n<p>-bourdieu<\/p>\n<p>-wu hung ruins, fragmenation and the chinese modern\/postmodern<a href=\"https:\/\/books.google.de\/books?id=8GwzF6mFBBAC&amp;lpg=PA59&amp;ots=TNrfGrckLu&amp;dq=wu%20hung%20ruins%2C%20fragmentation%20and%20the%20chinese%20modern%2Fpostmodern&amp;hl=de&amp;pg=PA59#v=onepage&amp;q=ai%20weiwei&amp;f=false\"> google ebook<\/a><\/p>\n<ul>\n<li>Nicholas Mirzoeff (ed.), 2002 [1999] : <em>The Visual Culture Reader<\/em><\/li>\n<li>Lieven De Cautier, Ruben De Roo, Karel Vanhaesebrouck (eds.), 2011: Art and Activism in the Age of Globalization (Reflect)<\/li>\n<\/ul>\n<ul>\n<li>Jonathan Harris, 2011: Globalization and Contemporary Art<\/li>\n<\/ul>\n<p>-david clarke contemporary asian art and the west<\/p>\n<p>-ian robertson the art  market in transition, the global economic crisis and the rise of asia<\/p>\n<ul>\n<li>Wu Hung, Peggy Wang (eds.), 2010 : Contemporary Chinese Art: Primary Documents (MoMA Primary Documents)<\/li>\n<li>Melissa Chiu; Benjamin Genocchio, 2011 :\u00a0 Contemporary art in Asia : a critical reader<\/li>\n<li>Melissa Chiu; Benjamin Genocchio, 2011 :\u00a0 Asian Art Now<\/li>\n<li>Minglu Gao, 2011 : Total Modernity and the Avant-Garde in Twentieth-Century Chinese Art<\/li>\n<\/ul>\n<ul>\n<li>Der Begriff &#8222;kulturelle Skripte&#8220; (&#8222;cultural scripts&#8220;) wurde von Schank &amp; Childers (1984) im Rahmen der Erforschung k\u00fcnstlicher Intelligenz entwickelt<\/li>\n<li>Wolfgang Welsch 2009: https:\/\/www2.uni-jena.de\/welsch\/tk-1.pdf ; https:\/\/www.via-regia-thueringen.de\/bibliothek\/pdf\/heft20\/welsch_transkulti.pdf<\/li>\n<li>Vorarbeiter von Welsch war Clyde Kluckhohn<\/li>\n<li>https:\/\/www.gold.ac.uk\/pg\/ma-contemporary-art-theory\/<\/li>\n<li>Bernell, Robert. &#8222;Interview: Ai Weiwei on CCAA, Identity and His Recent Conceptual Work,&#8220;&#8220;Chinese Type&#8220; Contemporary Art Online Magazine, vol. 1, issue 6 (January 1999). https:\/\/www.chinese-art.com\/volume1issue6\/<\/li>\n<li>https:\/\/www.museum-dkm.de\/d\/0000\/pm\/pm_m\/pm_5300.pdf<\/li>\n<\/ul>\n<p>word stumbler<\/p>\n<ul>\n<li>internationalist culture<\/li>\n<li>deconstruct&lt;&gt; reconstruct<\/li>\n<li>cultural scripts<\/li>\n<li>(L)imitation<\/li>\n<li>multiculaturalism<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Oh dear, why must it be me?\u00a0 I am very unfond of contemporary art in general and Ai Weiwei in particular. Yet, my mind is set on writing that thesis paper on his tea house (2009). Now I am in the midst of finding out what that transcultural chitchat actually means. I look forward to &hellip; <a href=\"https:\/\/userblogs.fu-berlin.de\/sonia\/2012\/01\/12\/contemporary-hogwash\/\" class=\"more-link\"><span class=\"screen-reader-text\">\u201eContemporary hogwash\u201c<\/span> weiterlesen<\/a><\/p>\n","protected":false},"author":36,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1,1178],"tags":[1180,157,1181,1174],"class_list":["post-202","post","type-post","status-publish","format-standard","hentry","category-allgemein","category-transcultural","tag-aww","tag-ba","tag-book-review","tag-contemporary"],"_links":{"self":[{"href":"https:\/\/userblogs.fu-berlin.de\/sonia\/wp-json\/wp\/v2\/posts\/202","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/userblogs.fu-berlin.de\/sonia\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/userblogs.fu-berlin.de\/sonia\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/userblogs.fu-berlin.de\/sonia\/wp-json\/wp\/v2\/users\/36"}],"replies":[{"embeddable":true,"href":"https:\/\/userblogs.fu-berlin.de\/sonia\/wp-json\/wp\/v2\/comments?post=202"}],"version-history":[{"count":9,"href":"https:\/\/userblogs.fu-berlin.de\/sonia\/wp-json\/wp\/v2\/posts\/202\/revisions"}],"predecessor-version":[{"id":204,"href":"https:\/\/userblogs.fu-berlin.de\/sonia\/wp-json\/wp\/v2\/posts\/202\/revisions\/204"}],"wp:attachment":[{"href":"https:\/\/userblogs.fu-berlin.de\/sonia\/wp-json\/wp\/v2\/media?parent=202"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/userblogs.fu-berlin.de\/sonia\/wp-json\/wp\/v2\/categories?post=202"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/userblogs.fu-berlin.de\/sonia\/wp-json\/wp\/v2\/tags?post=202"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}