Quellen – Kino oder Kampf

Abdo, G. (2017). The new sectarianism: The Arab uprisings and the rebirth of the Shi’a-Sunni divide. Oxford University Press.

Abrahamian, E. (2008). A history of modern Iran. Cambridge University Press.

Amnesty International. (2023). Iran: Human rights in the Islamic Republic. Annual report 2022. https://www.amnesty.org/en/location/middle-east-and-north-africa/iran/report-iran/, Zugriff am 26.8.2025

Article19. (2023). Tightening the Net: Internet freedoms in Iran. https://www.article19.org/tightening-net-monitoring-internet-freedoms-iran/ , Zugriff am 26.8.2025

Aryan, A., Aryan, H., & Halderman, J. A. (2013). Internet censorship in Iran: A first look. In Proceedings of the 3rd USENIX Workshop on Free and Open Communications on the Internet (FOCI ’13).

BBC (2024). “Iranian filmmaker Rasoulof escapes to Europe ahead of Cannes screening.”

BBC Persian (2020). “Iran condemns award-winning film ‘There Is No Evil’.” [online], Zugriff am 22.08.2025.

Brooks, E. (04. April 2025). Demokratie & Gerechtigkeit. (Lieberties, Hrsg.) Abgerufen am 30.08.2025 von https://www.liberties.eu/de/stories/activism/44871

Brooks, E. (04. April 2025). Demokratie & Gerechtigkeit. (Lieberties, Herausgeber) Abgerufen am 30. 08 2025 von Was ist Aktivismus: Definition, Arten, Rolle, Beispiele, Bedeutung: https://www.liberties.eu/de/stories/activism/44871

Buchta, W. (2000). Who rules Iran? The structure of power in the Islamic Republic. The Washington Institute for Near East Policy.

Bundeszentrale für politische Bildung. (13. 01 2020). Iran. Abgerufen am 20. 08 2025 von Die Geschichte Irans 1941 bis 2020: https://www.bpb.de/themen/naher-mittlerer-osten/iran/40220/die-geschichte-irans-1941-bis-2020/

Bundeszentrale für politische Bildung. (13.01.2020). Iran. Abgerufen am 20.08.2025 von https://www.bpb.de/themen/naher-mittlerer-osten/iran/40220/die-geschichte-irans-1941-bis-2020/

Dabashi, H. (2007). Iran: A people interrupted. The New Press.

Dehghan, S. K. (2013). “Iranian film director Mohammad Rasoulof defies regime with new film.” In: The Guardian.Zugriff am 17.08.2025.

Deutsche Welle (DW) (2024). “Rasoulof flieht nach Cannes – trotz Haftbefehl.”

Dutton, W. H. (2009). The Fifth Estate emerging through the network of networks. Prometheus, 27(1), 1–15.

Elena, A. (2005). The cinema of Abbas Kiarostami. Saqi Books.

Euronews. (2024, April 30). Iran bans Seed of the Sacred Fig cast and crew from traveling to Cannes. https://www.euronews.com/culture/2024/04/30/iran-bans-seed-of-the-sacred-fig-cast-and-crew-from-traveling-to-cannes

Fatehrad, A. (2019). The festival of arts Shiraz-Persepolis: Western avant-garde arts in 1970s Iran. I.B. Tauris.

Fathollah-Nejad, A. (16. 02 2023). bpb.de. Von Der revolutionäre Prozess in Iran: https://www.bpb.de/themen/naher-mittlerer-osten/iran/518072/der-revolutionaere-prozess-in-iran/ abgerufen

Fathollah-Nejad, A. (16.02.2023). Der revolutionäre Prozess in Iran. bpb.de. https://www.bpb.de/themen/naher-mittlerer-osten/iran/518072/der-revolutionaere-prozess-in-iran/ , Zugriff am 16.02.2023

Freedom House. (2023). Freedom on the Net 2023: Iran. https://freedomhouse.org/country/iran/freedom-net/2023 , Zugriff am 26.8.2025

Gholami, R. (2017). Secularism and identity: Non-Islamiosity in the Iranian diaspora. Routledge.

Guardian (2020). “Iranian director barred from travel wins Berlin top prize.” [online], Zugriff am 24.08.2025.

Hadadi, R. (2025, Januar 10). Making a Movie in Secret, and Living With the Repercussions (Interview mit Mohammad Rasoulof). Vulture. https://www.vulture.com/article/mohammad-rasoulof-on-making-seed-of-the-sacred-fig-in-secret.html

Hadadi, R. (2025, January 10). Making a Movie in Secret, and Living With the Repercussions (Interview mit Mohammad Rasoulof). Vulture. https://www.vulture.com/article/mohammad-rasoulof-on-making-seed-of-the-sacred-fig-in-secret.html Vulture

Herman, E. S., & Chomsky, N. (1988). Manufacturing consent: The political economy of the mass media. Pantheon Books.

Honaronline. (11. 09 2018). Warum ist der Farmer´s Covenant derzeit unterbesetzt. Abgerufen am 20. 08 2025 von https://www.honaronline.ir/%D8%A8%D8%AE%D8%B4-%D8%B3%DB%8C%D9%86%D9%85%D8%A7-6/127478-%DA%86%D8%B1%D8%A7-%D9%85%DB%8C%D8%AB%D8%A7%D9%82-%D8%B2%D8%A7%D8%B1%D8%B9-%D8%A7%DB%8C%D9%86-%D8%B1%D9%88%D8%B2%D9%87%D8%A7-%DA%A9%D9%85-%DA%A9%D8%A7%D8%B1-%D8%A7%D8%B3

Honaronline. (11.09.2018). Warum ist der Farmer´s Covenant derzeit unterbesetzt. https://www.honaronline.ir/ Zugriff am 20.08.2025

Human Rights Watch. (2023). World report 2023: Iran. https://www.hrw.org/world-report/2023/country-chapters/iran , Zugriff am 26.8.2025

IMDb. (20. 08 2025). Missagh Zareh. Abgerufen am 20. August 2025 von Biography: https://www.imdb.com/name/nm3885117/bio/

IMDb. (20.08.2025). Missagh Zareh. Abgerufen am 20. August 2025 von https://www.imdb.com/name/nm3885117/bio/

Internationale Gesellschaft für Menschenrechte. (2025). Frauenrechte im Iran. https://www.igfm.de/frauen-im-iran/ Zugriff am 24.06.2025

Internationale Gesellschaft für Menschenrechte. (2025). igfm.de. Abgerufen am 24. 06 2025 von Frauenrechte im Iran: https://www.igfm.de/frauen-im-iran/#:~:text=Die%20Rechte%20von%20Frauen%20%E2%80%93%20reine,von%20Muslimen%2C%20Nichtmuslimen%20und%20Religionslosen.

Issa, R., & Whitaker, S. (2004). Life and Art: The New Iranian Cinema. National Film Theatre.

Khatib, L. (2012). Filming the Modern Middle East: Politics in the Cinemas of Hollywood and the Arab World. I.B. Tauris.

Khiabany, G. (2009). Iranian media: The paradox of modernity. Social Semiotics, 19(4), 479-501.

Le Monde. (2024, September 17). Three Iranian actresses forced into exile after starring in ‚The Seed of the Sacred Fig‘. https://www.lemonde.fr/

Le Monde. (2024, September 17). Three Iranian actresses forced into exile after starring in ‚The Seed of the Sacred Fig‘. https://www.lemonde.fr/en/m-le-mag/article/2024/09/17/three-iranian-actresses-forced-into-exile-after-starring-in-in-the-seed-of-the-sacred-fig_6726283_117.html . Le Monde.fr

Malay Mail / AFP. (2025, March 2). Exiled Iranian actresses celebrate ‘truly magical’ Oscar nomination for ‘The Seed of the Sacred Fig’. https://www.malaymail.com

Malay Mail / AFP. (2025, March 2). Exiled Iranian actresses celebrate ‘truly magical’ Oscar nomination for ‘The Seed of the Sacred Fig’. https://www.malaymail.com/news/showbiz/2025/03/02/exiled-iranian-actresses-celebrate-truly-magical-oscar-nomination-for-the-seed-of-the-sacred-fig/168363.

Mirbakhtyar, S. (2006). Iranian Cinema and the Islamic Revolution. McFarland.

Motion Pictures Association (2025, February). How Director Mohammad Rasoulof Shot his Oscar-Nominated ‚The Seed of the Sacred Fig‘ in Secret. https://www.motionpictures.org/

Motion Pictures Association / MotionPictures.org. (2025, February). How Director Mohammad Rasoulof Shot his Oscar-Nominated ‚The Seed of the Sacred Fig‘ in Secret. https://www.motionpictures.org/2025/02/how-director-mohammad-rasoulof-shot-his-oscar-nominated-the-seed-of-the-sacred-fig-in-secret/ . Motion Picture Association

Mottahedeh, N. (2008). Displaced Allegories: Post-Revolutionary Iranian Cinema. Duke University Press.

Naficy, H. (2002). An Accented Cinema: Exilic and Diasporic Filmmaking. Princeton University Press.

Naficy, H. (2011). A Social History of Iranian Cinema, Vol. 1–4. Duke University Press.

Naficy, H. (2012). A social history of Iranian cinema, Volume 4: The globalizing era, 1984-2010. Duke University Press.

Naficy, H. (2016). A Social History of Iranian Cinema, Vol. 4. Duke University Press.

Postman, N. (1985). Amusing ourselves to death: Public discourse in the age of show business. Penguin.

Radio Farda. (2022). Soheila Golestani barred from leaving Iran to serve on Rotterdam jury. https://www.radiofarda.com/

Radio Farda. (2022). Soheila Golestani barred from leaving Iran to serve on Rotterdam jury. https://www.radiofarda.com/a/soheila-golestani-barred-from-leaving-iran-to-serve-on-rotterdam-jury/33297606.html

Rajabzadeh, S. (2017). The politics of ’soft war‘ in Iran. Middle East Critique, 26(3), 247-263.

Rasoulof, M. (09. Januar 2025). Cinema Is Freedom: Mohammad Rasoulof on “The Seed of the Sacred Fig”. (I. Feldberg, Interviewer)

Rasoulof, M. (09.01.2025). Cinema Is Freedom: Mohammad Rasoulof on “The Seed of the Sacred Fig”. (I. Feldberg, Interviewer).

Rasoulof, M. (2013). Interview in Variety. Zugriff am 26.08.2025.

Rasoulof, M. (23. 05 2024). Mohammad Rasoulof talks fleeing Iran and making Cannes Competition title ‘The Seed Of The Sacred Fig’ – When did you shoot the film? (M. Rosser, Interviewer)

Rasoulof, M. (23.05.2024). Mohammad Rasoulof talks fleeing Iran and making Cannes Competition title ‘The Seed Of The Sacred Fig’ (M. Rosser, Interviewer).

Reed, T. V. (2005). The Art of Protest: Culture and Activism. University of Minnesota Press.

Reporters Without Borders. (2023). Iran – 2023 country report. https://rsf.org/en/country/iran, Zugriff am 26.8.2025

Scott, J. C. (1990). Domination and the arts of resistance: Hidden transcripts. Yale University Press.

ScreenDaily. (2025, January 20). Iran’s Soheila Golestani banned from travelling to Rotterdam to serve on festival jury. https://www.screendaily.com

ScreenDaily. (2025, January 20). Iran’s Soheila Golestani banned from travelling to Rotterdam to serve on festival jury. https://www.screendaily.com/news/irans-soheila-golestani-banned-from-travelling-to-rotterdam-to-serve-on-festival-jury/5201421 .article

Semati, M. (2022). “Iranian Cinema and Authoritarianism.” Middle East Critique, 31(1), 45–60.

Sreberny, A., & Khiabany, G. (2010). Blogistan: The internet and politics in Iran. I.B. Tauris.

Strack, C. (22. 10 2022). dw.com. Abgerufen am 24. 06 2025 von Berlin: Iran-Protest mit 80.000 Teilnehmern: https://www.dw.com/de/berlin-iran-protest-mit-80000-teilnehmern/a-63528413

Strack, C. (22.10.2022). Berlin: Iran-Protest mit 80.000 Teilnehmern. dw.com. https://www.dw.com/de Zugriff am 24.06.2025

Tapper, R. (2002). The new Iranian cinema: Politics, representation and identity. I.B. Tauris.

The New Arab. (2025, February 28). Actress of Oscar-nominated film to face 74 lashes and prison. https://www.newarab.com/

The New Arab. (2025, February 28). Actress of Oscar-nominated film to face 74 lashes and prison. https://www.newarab.com/news/actress-oscar-nominated-film-face-74-lashes-and-prison

The Times. (2025, March 10). C. Lamb: Oscars, The Seed of the Sacred Fig. https://www.thetimes.com

The Times. (2025, March 10). Christina Lamb: Oscars, The Seed of the Sacred Fig. https://www.thetimes.com/culture/film/article/christina-lamb-oscars-the-seed-of-the-sacred-fig-qngd7dk7p

Vanity Fair. (2024, December). How to Make a Movie in Iran and Not Get Caught: Inside The Seed of the Sacred Fig. https://www.vanityfair.com

Vanity Fair. (2024, December). How to Make a Movie in Iran and Not Get Caught: Inside The Seed of the Sacred Fig. https://www.vanityfair.com/hollywood/story/how-to-make-a-movie-in-iran-and-not-get-caught-inside-the-seed-of-the-sacred-fig . Vanity Fair

VOA Persian. (2025, January 25). The Seed of the Sacred Fig actress Soheila Golestani barred from leaving Iran to serve on Rotterdam jury. https://ir.voanews.com/

VOA Persian. (2025, January 25). The Seed of the Sacred Fig actress Soheila Golestani barred from leaving Iran to serve on Rotterdam jury. https://ir.voanews.com/a/the-seed-of-the-sacred-fig-actress-soheila-golestani-barred-from-leaving-iran-to-serve-on-rotterdam-jury/7957365.html

Wikipedia. (2024, May 24). The Seed of the Sacred Fig. In Wikipedia. https://en.wikipedia.org/wiki/The_Seed_of_the_Sacred_Fig

Yalibnan. (2025, March 3). Meet Soheila Golestani, the leading star of an Oscar-nominated film who’s facing 74 lashes and prison in Iran. https://yalibnan.com/

Yalibnan. (2025, March 3). Meet Soheila Golestani, the leading star of an Oscar-nominated film who’s facing 74 lashes and prison in Iran. https://yalibnan.com/2025/03/03/meet-soheila-golestani-the-leading-star-of-an-oscar-nominated-film-whos-facing-74-lashes-and-prison-in-iran-for-her-part-in-the-seed-of-the-sacred-fig/