A winter in Kyūshū: Living in traditional countryside houses

by Cecilia Luzi

It is the end of February and winter in Kyūshū is almost over. Days are longer and temperatures during the day rise above 15 degrees on some days. According to the people living here, the region did not experience a particularly harsh or long winter this year. However, I feel like this was the longest and coldest winter of my life and I believe this is related to the experience of living in traditional Japanese houses.

Winter in North Kyūshū.
Copyright © Cecilia Luzi 2022

During my four months of field research in Buzen, I lived in no less than five different places, three of which were large traditional houses. My first residence was a former agricultural warehouse next to the main house that had been renovated about 10 years ago. The owners, retirees who had returned to Buzen after their working years in Kitakyushu, had used it as a guest house until the outbreak of the pandemic. Although the renovation work was thorough and meticulous, getting up from the futon in the morning, even in November, always required some determination and strength of mind. The toilet was in a small room at the end of the veranda, and inside the temperature was not much different from outside. There was a small wood-burning stove that heated the two large adjoining rooms: a ground-level room that contained the kitchen and a dining table, and a room lined with tatami mats. The owner went every week to the forest, which could be reached by climbing a small hill, to collect wood. He taught me how to cut logs with the electric saw and the hacksaw, and how to light the fire so that it would burn well and heat the whole house properly. In mid-December, the weather forecast announced a big snowfall for the region, and one morning we woke up to over 40 cm of snow. For a week, my son and I ate, wrote, played and slept in front of the small wood stove. Every evening, after he bathed, I warmed his clothes on the stove and dressed him in front of the fire, so he wouldn’t get too cold.

Living with children in an old Japanese house is fun, but very cold in the winter.
Copyright © Cecilia Luzi 2022

In January, I moved into another old house where an elderly lady, now deceased, had lived until recently. The house was huge, and in order to have a space that could be easily heated, my son and I occupied only two rooms with a kitchen and toilet. This time there was no wood stove and to keep warm we used an air conditioner and a small kerosene stove, which I had to turn off before going to bed for safety reasons. Towards the middle of the month, a new wave of frost came. The night before the expected snowfall, the owner and neighbor, advised me to prepare pots and kettles of water because the pipes might freeze during the night. When I woke up in my room, it was 9 degrees Celsius, and no hot water came out of the kitchen tap for three days.

The warmest room in the house.
Copyright © Cecilia Luzi 2023

The house we currently live in is a trial house. It has a 5-meter ceiling at the entrance, and the sliding glass walls of the room have a three-millimeter air gap to the outside. You can see the floor underneath between the floorboards in the hallway. The first night, despite the warm air conditioning, I couldn’t fall asleep because the cold air was flowing through the tatami and I could feel it even through my pajamas and heavy socks. The next day, I went to an electrical store to buy an electric heater and a hot water bottle. Unfortunately, as the saleswoman explained, all the units were out of stock. I had to drive all the way to the next big city to find the last hot water bottle and a mini heater on the empty shelves.

One of the houses we have lived in.
Copyright © Cecilia Luzi 2023

Obviously, I am not the only one who feels the cold. The homes of the people I visit and meet are all equipped with various improvised heating methods that serve more to satisfy immediate needs than to create comfortable living conditions. These include electric stoves, gas stoves, kerosene stoves, hot water bags, and heat patches tucked under clothing or into shoes. Certainly, the winter in Kyūshū is no harsher than a Berlin winter, but the living comfort is different. In recent months, I’ve been wondering why living conditions are so difficult in those old homes in the countryside. I have spoken at length with those born and raised in the city who have made a conscious choice to live in these homes, and this coldness reveals in part the radical nature of their decision. For many of them, these houses are full of life, they have stories to tell from the daily lives of their former families. But all in all, the Kyūshū winter is quite short, and living in a traditional house brings many benefits.

The great view through the large glass walls overlooking the forested mountains.
Copyright © Cecilia Luzi 2022

Through the large glass walls overlooking the forested mountains, I could see how the seasons change the landscape from autumn to winter and from winter to early spring. There is no thermal insulation, just as there is no sound insulation. So I can hear the river running just below the road, the deer and tanuki that come undisturbed late at night to eat the persimmons hanging to dry outside the back door, or the sound of the wind rushing through the gaps in the fusuma. The cold and the sounds remind us that we are embedded in nature, for better or worse. Since only glass, straw, earth and rice paper separate the rooms, the boundary between the outside and the inside of the house is much thinner than in any country house I have lived in Europe.

Stimulating rural migration in Tokyo: Relocation fairs in the metropolis

by Lynn Ng

Last December, the Japanese government announced a new incentive for people to move out of metropolitan Tokyo: Starting April 2023, families who move into Japan’s countryside can expect to receive one million yen (about 7,000 euros) per child (under 18 years of age) in support of their relocation. This is a stark increase from the previous amount of 300,000 yen (about 2,100 euros) [1]. This announcement is a small part of Japan’s much larger push for people to relocate into the regions. Among many other incentives and regional promotion activities extensively explored through this blog, Japan has also been increasingly hosting migration fairs (IjūTeijū Fairs) for regional promotion. Within my short time in Japan, I have had the luxury of visiting three such fairs. My focus was on Fukushima, so one can only imagine the many other fairs taking place for other regions.

One of the first fairs I attended in Tokyo for Fukushima.
Copyright © Lynn Ng 2022

These fairs are very informative: the booths are manned by staff of the municipal offices, Chiiki okoshi kyōryokutai (COKT) participants, as well as people who recently relocated to the countryside. These individuals are eager to promote their towns, explain about trial stays and tours, answer questions, and offer advice on support schemes you might be eligible for. The structure for all the fairs I attended was similar, albeit of different organizational teams. One registers for the fair online beforehand (or risk standing awkwardly in line filling up questionnaires by hand), enters with a QR code, and receives a stack of five “personal information sheets.” These information sheets are your name cards for the day. Every booth you visit will first and foremost ask for your sheet, scan through the details, and interview you on your interests and background, before suggesting the best schemes you could apply to for your potential relocation.

You scan your entry QR code and receive a set of five information sheets to hand out to the booths.
Copyright © Lynn Ng 2023

The organizers of these fairs probably don’t expect visitors to visit more than five booths per day, as I spent about an hour at each booth (with most of that time spent explaining the individual criteria for their far-reaching funding plans). Since my visits were focused on Fukushima, these staffers also pulled out lots of binders of radiation-related data for me. In the unlikely event that you have a lot more energy than I did to go through the dozens of booths in one day, there are also copiers at the fairs that you can use to print out additional copies of your information sheet for the booths.

There are many brochures and freebies (note the Eco-bag) available for free.
Copyright © Lynn Ng 2022

I found these fairs great, not just because they were a huge information pool, but also because they are a large web of networks. At these three events, I met the same faces and received the same brochures, yet the content of the visits mattered less than the connections I made. At the most recent fair, I stood quietly by the corner, tiredly wondering if there could be any new information at all I could get. But it took only a while before staff from a booth walked over – a person whose booth I had spent over an hour at the previous time. We spoke candidly. He asked about my research progress: slow. I asked about his visit count: also slow. That brief moment was precious, for he would tell me how, despite being a migrant to Fukushima, he had in fact spent much more time outside of the region in order to promote it. Given the irony of being a mobile migrant into the regions, he wondered for himself then, what it actually means to “migrate (ijū).”

The most recent fair I attended was a general relocation fair for all regions of Japan. Despite the large number of exhibitors, perhaps for its location at Odaiba, the crowd was much smaller than at the Fukushima-specific fair.
Copyright © Lynn Ng 2023

This informal conversation with him would become a greater discussion for later. But for now, I reflect on the experiences of the three fairs – the high frequency at which they take place and the structures in which they are organized. These fairs can indeed prove effective, on top of the government’s many other incentives and schemes, as a one-stop source of information for those who are considering relocating to the countryside.

[1] Nikkei News. December 28, 2022. Tōkyō kara ijū de ko hitori ni 100 man en seifu, 23-nendo kara zōgaku [Government to increase support to 1 million yen per child for migrations from Tokyo from fiscal 2023]. Available online: https://www.nikkei.com/article/DGXZQOUA280720Y2A221C2000000/

A gallery in the middle of nowhere: reusing abandoned houses as art spaces in Japan’s countryside

by Cornelia Reiher

Abandoned houses are one of the many problems rural areas in Japan are facing today. The so-called akiya mondai (abandoned house problem) also affects many urban-rural migrants (ijūsha). On the one hand, there are many abandoned houses; on the other hand, ijūsha often have difficulty finding housing because residents are unwilling to rent or sell their property, even if they no longer live there. The reasons for this are manifold and have been covered in other blog posts here. In one hamlet I visited, there were more abandoned houses than houses where people still lived. The population has dropped from 8000 to 800 in the last two decades. The local elementary school is on the verge of closing, and it is becoming increasingly difficult to find enough people to take care of community tasks like cutting the grass (kusakari).

Many abandoned houses in Japan decay and collapse because no one lives in them
Copyright © Cornelia Reiher 2022

However, a couple, both ijūsha, recently settled in this hamlet and renovated two abandoned houses. One house has been converted into a gallery and café, the other is their home. Together with Kazuko (pseudonym), who runs the gallery with her husband, I visited the place several times during my field research in September and October 2022. It is located in a beautiful valley with rice paddies and small forests and offers a magnificent view of the nearby mountains. It can be reached from the city center in twenty minutes by car. In the hamlet itself there is a post office, a shrine, the elementary school and residential houses, many of which are empty. You wouldn’t expect to find a gallery here and would probably just drive past it, as there are no large signs pointing to it. However, at a second glance, one discovers some artwork inside and outside the gallery, including a mosaic created by an artist from Kyoto during a workshop.

A gallery in a renovated former akiya
Copyright © Cornelia Reiher 2022

When I visited for the first time, Kazuko’s husband, who is an artist himself, was busy preparing one of his own art works. In the exhibition room, preparations were still underway for the next exhibition. A sculptor was going to exhibit his work, and some of the pieces had already been unpacked. Kazuko and her husband showed me around and told me about the renovation work. The couple received no financial support. Since they did most of the work themselves, the renovation took several years. They tried to reuse as much material as possible that was already in the house. For example, since the previous owners had left most of their possessions behind, they were able to use some of the dishes for the café. They also reused much of the glass for the new windows and received a lot of help from artist friends who designed the stained-glass windows or the dishes Kazuko now uses in the café. A special feature of the house is the basement with its stone wall, which is now used as an exhibition space in addition to the ground floor. From the basement, you can look up at the exposed ceiling beams. In this interesting light, the sculptures looked quite mysterious.

A sculpture in the exhibition space in the basement and a table in the café with cookies and coffee
Copyright © Cornelia Reiher 2022

When I returned to the gallery a few days later for the exhibition opening with a friend, there were a few guests and the artists. After looking at the artworks on display, including many that had not been unpacked during my earlier visit, we ordered cookies and tea and enjoyed the beautiful view of the sunset, rice fields, and mountains. When Kazuko joined us, we chatted about the potential of art to revitalize rural areas. She believes that art can connect locals and newcomers, and stresses the importance of art, especially for children. That’s why she also offers workshops with artists for children and adults to create pottery or other artwork together. In addition to the on-site gallery and workshops, she also promotes local artists and artisans online, hoping to attract more people to the area. For now, however, most of the gallery’s visitors are friends from out of town and other urban-rural migrants.

Sunset view from the gallery’s coffee shop
Copyright © Cornelia Reiher 2022

This gallery is one of many examples of attempts to revitalize rural areas by promoting arts and crafts. Many rural areas have artist-in-residence programs, galleries, workshops and studios. They aim to preserve local craft traditions by inviting artisans or artists from abroad, or to promote their towns as attractive places for artists to work by offering low-cost or free studios, scholarships for artists, and exhibition spaces. However, many examples I came across were initiated by local governments, while the gallery described above is a purely private initiative. Although the owners have had to cover all costs themselves, it also means that they do not have to rely on subsidies that may one day run out, as is the fate of so many of these ambitious projects. I am curious to see how it will develop and look forward to visiting this gallery in the middle of nowhere again. 

Revitalization through internationalization: How policy actors envision Buzen’s future

by Ngo Tu Thanh (Frank Tu)

Political scientists have discussed the role of ideas in policy decisions and policy implementation [1]. In my previous blog post, I talked about the numerous revitalization activities implemented by the coastal city of Buzen, Fukuoka Prefecture. Buzen has been striving to promote international cooperation and multiculturalism, which can in turn contribute to the city’s revitalization. My interviews with five policy actors from Buzen provide insights into some of their ideas for the city’s future development. I talked to two local government officials, two local politicians and one policy advisor.

The City Hall of Buzen where local policies are made
Copyright © Ngo Tu Thanh 2022

When asked about possible ways to develop Buzen, all respondents mentioned strategies that take advantage of globalization. During our first online interview in September 2021, one local government official explicitly mentioned the acceptance of more international migrants as one of Buzen’s four key strategies for revitalization. Against the backdrop of population decline, he believes that Buzen’s demographic problems will not change unless the foreign population expands. My other respondents shared this view and consider international migrants as “a powerful asset needed to move our economy forward, in this sense, it is better to accept [migrants]” (interview with Buzen’s policy advisor, October 2022). Currently, there are 344 foreign residents living in Buzen, accounting for 1.4% of the city’s total population [2]. The majority of Buzen’s foreign population is Vietnamese, followed by Burmese and Chinese. Most of Buzen’s foreign residents are technical interns (ginō jisshūsei) [3]. The number of ginō jisshūsei in Buzen is expected to rise in the upcoming years.

A discussion between Vietnamese technical interns, local residents, and local officials
Copyright © Ngo Tu Thanh 2022

My respondents mentioned several challenges for international migrants that need more attention, such as cultural and language barriers. They believe it important to foster mutual understanding between foreign and local residents. One local politician stresses the importance of employing a Vietnamese member of chiiki okoshi kyōryokutai (COKT) at Buzen’s City Hall to overcome the language barrier and welcome international migrants. She thinks of international migrants as “individuals” rather than just “workers” and wants to improve their living conditions.
International education and mutual learning between Japan and other countries were also mentioned as potential revitalization strategies connected to globalization. Such ideas include Buzen’s transformation into a “City of Education” (kyōiku no machi) by establishing international university campuses in Buzen for international and local students in cooperation with Taiwan and Vietnam. Another local politician suggests promoting international exchange with other countries to learn “good things” from them and to introduce “good things” from Japan abroad. For example, Japan could learn from Europe’s environmental policies, he said.

Impression from the coast of Buzen
Copyright © Ngo Tu Thanh 2022

However, the majority of my respondents are concerned that local residents might resist accepting more international migrants, but they are determined to internationalize Buzen. They hope that local residents will interact more with international migrants and change their way of thinking, as one local government official said. Ideas and visions are subjective. My interviews reflect what kind of revitalization strategies Buzen’s policy actors consider, but as I pointed out in my previous blog post, it seems as if globalizing Buzen is not merely a lofty idea of policy actors, but rather a vision the city has been taking concrete actions to realize.

References

[1]
Mukand, Sharun, and Dani Rodrik. 2018. “The Political Economy of Ideas: On Ideas versus Interests in Policymaking.” National Bureau of Economic Research. https://www.nber.org/system/files/working_papers/w24467/w24467.pdf.

Rodrik, Dani. 2014. “When Ideas Trump Interests: Preferences, Worldviews, and Policy Innovations.” Journal of Economic Perspectives 28 (1): 189–208.

[2]
———. 2022. “Buzen-shi no tabunka kyōsei e no torikumi.” https://www.city.buzen.lg.jp/sousei/tabunkakyousei.html.

[3]
Buzen City, Japan. 2020. “Buzen-shi: Tabunka kyōsei no suishin ni kakaru shishin.” https://www.city.buzen.lg.jp/sousei/documents/tabunkakyouseishishin.pdf.